Events — Exhibition

Revisiting: Fernweh, or Nostalgia for Unknown Lands

Thursday 08 Oct 2026 – Saturday 07 Nov 2026

Revisiting: Fernweh, or Nostalgia for Unknown Lands brings together 15 international artists and 17 artworks from the Irene Y. Panagopoulos Collection, spanning sculpture, painting, photography, printmaking, collage, video, lightboxes, and books, and dating from the eighteenth to the twenty-first century, to explore Greece as a symbolic construct of both past and present, escaping fixed notions of place.  

One year after its debut in Athens in 2025, where it inaugurated the Irene Y. Panagopoulos Collection Space, the exhibition Fernweh, or Nostalgia for Unknown Lands comes to the Hellenic Centre in London with a renewed perspective, shaped in part by the spatial parameters of the venue.   

At its conceptual axis lies Fernweh – the German word for a “longing for distant places”, first recorded in 1835 by the German Prince Hermann von Pückler-Muskau to describe the melancholic longing he felt for places he had never visited. The term frames an exhibition that draws on the legacy of Romanticism to explore humanity’s enduring desire to pursue the unattainable and to reinterpret reality through the intertwined lenses of knowledge, memory, and imagination. The artists assume the role of observers, navigating between experience and reverie, romantic projection and historical consciousness. They reflect on Greece not only as a geographical territory but as a cultural and symbolic landscape – one long defined by journeys, myths, memories, and perceptions shaped over time.  

Curated by Katerina Hadji and presented by the Irene Y. Panagopoulos Collection in collaboration with the Hellenic Centre. 

Image: William N. Copley, Homeric Emblem, 1961, Irene Y. Panagopoulos Collection

SPECIAL PUBLIC EVENTS

Friday 16 October, 09:30 – 11:00 – Breakfast reception. RSVP here.

Saturday 17 October, 11:00 – Exhibition Private Tour with curator Katerina Hadji. RSVP here.

Additional information

Artists

Kader Attia 

Kader Attia (b. 1970, Dugny) explores how experiences of deprivation, violence, suppression, and loss shape individuals and societies through their relationship with collective memory. In 2016, he founded La Colonie in Paris, a space dedicated to the exchange of ideas and critical public debate. 

Lynda Benglis 

Lynda Benglis (b. 1941, Lake Charles) emerged as a prominent figure during the Postminimalist movement, pushing the boundaries of painting and sculpture. She is best known for her celebrated “pours”, which resembled paintings yet broke free from the wall to occupy the space of sculpture. 

Vlassis Caniaris 

Vlassis Caniaris (1928, Athens – 2011, Athens) was a leading figure of Greek post-war art. Internationally recognised for his politically and socially engaged practice, he pioneered the use of assemblage and installation, transforming the Greek art scene with his innovative visual language. 

Marc Chagall 

Marc Chagall (1887, Lyozna – 1985, Saint-Paul-de-Vence) was a leading figure of the European avant-garde of the twentieth century. Combining elements of Cubism, Fauvism, and Symbolism, as well as folklore and personal memory, he developed a unique visual language celebrated for its vivid colour and dreamlike, poetic imagination. In 1973, the Musée National Marc Chagall opened in Nice as the first French national museum dedicated to a living artist. 

Marie-Gabriel-Florent-Auguste Comte de Choiseul-Gouffier 

Marie-Gabriel-Florent-Auguste Comte de Choiseul-Gouffier (1752, Paris – 1817, Aix-la-Chapelle) was a French diplomat, aristocrat, traveller, and antiquarian whose studies of Greece profoundly shaped eighteenth-century European perceptions of the ancient world. Yet, alongside his documentation of antiquities, he organised expeditions that led to the removal of numerous artefacts, many of which later entered European collections. 

William Nelson Copley 

William Nelson Copley (1919, New York – 1996, Sugarloaf Key) was an American self-taught painter, writer, gallerist, publisher, and collector. Renowned for his distinctive figurative style, his work combined humour, eroticism, politics, and autobiography with sharp social critique. Copley assembled one of the most significant collections of Dada and Surrealist art in the United States and played a major role in supporting and promoting avant-garde art. 

Claire Fontaine 

Claire Fontaine (founded 2004, Paris) is a feminist conceptual artist; a “readymade” art persona who lives and works in Palermo, created by Fulvia Carnevale and James Thornhill, an Italian-British artist duo who have declared themselves her assistants.   

Bouchra Khalili 

Bouchra Khalili (b. 1975, Casablanca) has developed a multidisciplinary practice that explores collective memory, migration, and political histories. Through carefully researched and collaborative forms of storytelling, her work amplifies the experiences and voices of displaced communities. Khalili is a founding member of La Cinémathèque de Tanger, an artist-run non-profit organisation dedicated to promoting film culture in northern Morocco. 

Brice Marden 

Brice Marden (1938, Bronxville – 2023, Tivoli) redefined the traditions of lyrical abstraction through his masterful command of colour and gesture. Inspired by his extensive travels and residences, including in Greece, he evolved from luminous monochromes to the intuitive calligraphic compositions that characterised his later practice. 

Martin Parr 

Martin Parr (1952, Epsom – 2025, Bristol) was one of the most influential photographers of his generation, internationally renowned for his singular approach to social documentary photography. Over a career spanning five decades, he produced an extensive body of work that redefined the genre. In 2017, he founded the Martin Parr Foundation in Bristol, extending his influence on contemporary photography and visual culture. 

Elizabeth Peyton 

Elizabeth Peyton (b. 1965, Danbury) reinvigorated portraiture in the early 1990s through her intimate, modestly scaled portraits of historical figures and icons of contemporary culture. From her earliest exhibitions, Peyton’s works polarised opinion in an art world that largely dismissed contemporary figurative pieces as irrelevant or passé. 

Niki de Saint Phalle and Jean Tinguely 

Niki de Saint Phalle (1930, Neuilly-sur-Seine – 2002, San Diego) and Jean Tinguely (1925, Fribourg – 1991, Bern) were pioneering figures of post-war European art whose enduring artistic partnership challenged conventional ideas of sculpture and artistic practice. While de Saint Phalle became renowned for her vibrant, monumental sculptures exploring themes of feminism, identity, and social justice, Tinguely transformed sculpture through his playful kinetic machines. Their shared vision of art as an act of experimentation and rebellion lives on through the collections of Museum Tinguely in Basel and the work of the Niki Charitable Art Foundation. 

Sean Scully 

Sean Scully (b. 1945, Dublin) has built over the past five decades one of the most influential bodies of work in contemporary abstraction. Bringing together the traditions of European painting and the language of American abstraction, his work balances painterly intensity with remarkable visual subtlety. 

Thomas Struth 

Thomas Struth (b. 1954, Geldern) is best known for his genre-defying photographic work, rooted in the tradition of the Düsseldorf School of Photography. Over four decades, he has continually expanded his visual vocabulary while remaining committed to the typological approach that lies at the heart of his practice. 

Venue

The Hellenic Centre

Tickets

Free entry

Times

Tuesday - Saturday:
11:00 – 17:00

Thursday: 11:00 – 20:00

Please note the exhibition will open at 13:00 on the 8 and 9 October

Frieze London 2026 Hours:

Monday 12 – Sunday 18 October: 11:00 – 17:00
with extended hours on Thursday 15 October:
11:00 – 20:00